The Bleed describes itself as a "journal of vital, progressive visual, concrete and experimental poetries" and hews close to the stark b/w in much if not all of the work here. The 'categories' tab offers; asemic poetry - conceptual poetry - concrete poetry - experimental poetry - lexical poetry - visual poetry… but I note with some amusement that many things are cross listed with multiple categories.
One piece from the series “DO YOU KNOW WHAT IT MEANS TO BE SUBDUED OR VANQUISHED?” by Michael Justin Hatfield is all I will offer as a sample:
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