Showing posts with label Atlanta Contemporary Art Center. Show all posts
Showing posts with label Atlanta Contemporary Art Center. Show all posts

4.26.2011

David D'Agostino and the APG Installation at the ACAC

David D'Agostino and the APG
Alphabet Species: Liminal Map
Wall Installation
8 x 8

This installation features poems from Mark Prejsnar and James Sanders. Some photographs are below.


10.11.2010

wall etchings from the open studio event

On Saturday night at about 9:30, not long after the last iteration of our every-twenty-minute-on-the-dot spontaneous poem in radical vers libre, the APG packed up its stuff and vacated David's studio. Besides some empty beer cans and (hopefully) some serviceable audio recordings of the night's hilarity, the only record left is the following remnant. It's the textual counterpoint (or side-effect?) of the 4-5 voice collaborative/improvised polyphon series we launched into periodically over the course of the evening, this poem typed away at by most of us and projected onto the studio wall as the series howled on:


this is not a poem
it is whited out .....wholly unnoticed

rear in, boo stock
us
whatever portion, daisy

in the blind of never

her a in the bunk
a picture of sy
in the blind of never

her a in the bunk
a picture for a window onto
the form to find a form, ranging ikeCow
each voice is or will be whited out
I was so close to Macedonia,
debt wasrepaid
layer escape--cunei-uh-farm-- op
enter would ghost
end
departure

core
overwriting
along
with a node, negative a fixed documentation of
selfishness
it's whard to blow-up
there, revealed behind a ruse, prison slowed
to hull of different landscape, intuited tomb
ggggggg eeee nnnnnn rrrrrr eeeee -- imagine
two Lennons, third stereo like all of the claims to be
in Bugarlia, written sound keeps goin' on sitch.

I don't

willn't gnot misunderstood

whine am I a live

like a non-us, repetition following

different apprehensive landscapes

upended with paintings, timely

pasties, stallions painted

wells and maybes, hokey-

tyuio

berds

pits

brazen

up in the head

quiescence

through noise

thru noises

truck noose

azzazazazazazazazazazazazazazazazazazazaza

tititititititititititi

froh

froh

froooooooooooh

wererererererererererererererererere

pspspspspspspspspt

claim to be a truth sayer

'twice in one rooster, sorted thru ano0ther fiction

cannibals like

advertising and vacation

muscles and calories

traffic and money

please

sort through the tie reese eat us

trick oh mun nigh is us

lay be uh naise the rabid dahlgren

composure in oklahoma city

okloa

okra homer shitty

hourglass go figure

wait on a text

the sun is brighter than myself

chrochra toner car trish

mandibles laughter ballast and icicle

jolly guy dee bored long vile ig. over well,

more owl fin thin not

onlie superegg, oh

until mind, me adjusted, me and why

the town spanked

10.08.2010

APG at Contemporary's Open Studios

This Saturday, Oct. 9, the APG will be hosting/curating/performing at David D'Agostino's open studio from 7-9 PM at the Contemporary Art Center.
Details for the event per the flyer below and at: http://www.thecontemporary.org/programming/programs/fall-open-studios/



6.09.2010

"Low Ghosts": Artifacts from the ACAC

The palimpsest left on my laptop at the end of the show last Thursday at the Atlanta Contemporary Arts Center, accompanied here by the blocking diagrams for each of the four pieces we performed--or was it all one piece? Hmmm...


stop the joy
air in space is
loss to create space
& spaces


I can't go on
I will
make space(s)



but then fever found the
start of verse till
the gourd exploded ;
identical sac ploppets
jet-laggins-wigglers


START AGONY?
fever is never found on top of
hum, small onion, gas response



ample pan(de Cortez) inharmonium
pie-eaters impious, look at my socks
with a new field uololololo
THAT'S AN open mouth or a window



if awake, then Brazil.

gone. ghost. open, undulating morning
Slap focused, investor beheld
Twas morning, when..... voluptuous gesture that....
in respect to what you're up against...
not phenomenon but phenomendon't;